HLC Colour Atlas XL - freieFarbe proof.de - title white 2018 v1

free colour: CIELAB HLC Colour Atlas XL published and can be ordered at proof.de

After almost a year of work the time has finally come. The CIELAB HLC Colour Atlas XL saw the light of day. The new HLC Colour Atlas XL is the basis for all stages of professional colour communication – from design to the finished product. The standard version contains 2040, the new XL version even 13283 mathematically-systematically graded CIELAB colour tones on 74 pages. You can order the CIELAB HLC colour atlas here in our shop The free file package contains the layer PDF version with several gamuts for the analysis …

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Proofs for recycled paper. Is that possible?

We produce proofs for classic white uncoated papers on a daily basis, but the question often arises as to which proof standard could be used for printing on recycled paper. In general, the paper white in a proof is precisely defined in the proof standard and is also measured in every test report. For PSOUncoated it is 95.00 / 0.00 / -2.00 in CIELAB and for PSOUncoatedV3 it is 93.50 / 2.50 / -10.00, i.e. slightly darker (93.50 instead of 95.00 for brightness L) and significantly bluer (-10.00 instead of …

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DIN SPEC 16699 - Open colour communication - Final meeting - Berlin

DIN SPEC 16699 “Open colour communication” published

A few days ago, our DIN SPEC 16699 “Open Colour Communication” was published and is now available for free download from DIN’s Beuth-Verlag. Matthias Betz from Proof GmbH, Holger Everding from DTP Studio Oldenburg, Jan-Peter Homann from Homann Colormanagement in Berlin and Eric. A Soder from Pixsource in Switzerland, all members of the association freieFarbe e.V., have shown in the bilingual DIN specification a way to create high-precision color samples on the basis of open source, license-free standards and have shown ways for cross-media color communication. The 44-page PDF is …

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Comparison between eciRGB_V2 (white) and sRGB

Why is the embedding of RGB profiles so important?

A few days ago we received a call from a customer in the field of design, who sent open Adobe InDesign data in ISOCoatedV2 300% with contained RGB images to the production company for a complex CD production on the advice of the producing company (“The printing company still has a prepress stage, which can then prepare your data optimally…”). The result of the finished printed CD booklets and inlays did not correspond at all to the calibrated monitor image of our customer, the client was also unhappy and requested …

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How CMYK and RGB profiles are handled in proofing

When we receive a file from you, the first thing we check is whether there are colours other than CMYK in the file. If the file is built exclusively in CMYK, it will be sent directly for proofing.

Handling wrong profiles with CMYK data / “Profile Mismatch
If we have only received CMYK data from you, we will ignore all input and output profiles and only use the CMYK values that we bring to the ordered output colour space.

Example 1: Data in ISOCoated, proof in ISOCoatedV2 ordered, thus wrong or no CMYK profile embedded.

You send a file with the profile ISOCoated and a colour area in CMYK 100/70/0/0 and order a proof according to ISOCoatedV2.
We ignore the ISOCoated profile and proof the pure colour value 100/70/0/0 according to ISOCoatedV2.

Why do we do this?
In our proofs, we try to reproduce the “lived reality” of the print as well as possible. In many conversations with printers we have seen that in almost 100% of the cases they do not convert profiles from CMYK to CMYK, but instead put a colour value of 100/70/0/0 on the plate without taking CMYK profiles into account, insert paper and print in conformity with the standards. So we also map this way, although it would actually be “more correct” to perform a colour space transfer from ISOCoated 100/70/0/0 to ISOCoatedV2. However, this results in a different colour value, for example 100/63/1/6 for relatively colorimetric conversion with depth compensation or 100/63/3/15 perceptively with depth compensation!

In practice:

One of our customers did not proof 30 slightly different, dark blue colour areas in ISOCoatedV2 on our premises, but on the premises of a colleague, under each of which the CMYK value was in black lettering, in order to sample the colour of a powder-coated surface. The customer defined a very well fitting CMYK colour value on the basis of the proofed colour areas, inserted it into his brochures and started the print jobs. Result: The dark blue was a distinctly different blue than on the reference proof, customer and agency were very dissatisfied and went on troubleshooting. Now the case came to us.
We received a file for proofing according to ISOCoatedV2 and compared it with our colleague’s proof. The colours with the same black CMYK values printed underneath were clearly different, but both proofs were provided with media wedges and measured correctly. After some troubleshooting, we came up with the idea of requesting the original proof from our colleague, which also existed. In this one there was a Fogra27Coated profile, thus an implementation of the old ISOCoated. A proof according to ISOCoatedV2 had been ordered at that time. Had it happened? The colleague had taken the input profiles into account, which resulted in a significant change in the CMYK values of the colour patches, as mentioned above, due to a colour space transfer from CMYK to CMYK. The black printed CMYK values under the colour patches had of course not changed. The patterned CMYK value therefore did not correspond to the proofed value at all. Our customer fell from all clouds: “How, our CMYK values were not proofed”. This would not have happened with us, because we would ignore the embedded profile with CMYK data. In this case this would also have been our customer’s expectations.
After almost two hours, we had determined the “error” (or perhaps rather: the “difference”), created a proof for our customer that was “in line with expectations”, which he could use to determine the appropriate CMYK value in ISOCoatedV2, and solved the problem.

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Adobe Color Picker 2019: Decimal places possible in InDesign and Illustrator

Adobe has updated its colour picker in the 2019 version. Especially in Adobe InDesign 2019, decimal places are now possible for LAB and CMYK during colour input, which is a long-desired feature especially in the high-end colour area. Up to now it was already possible in Adobe InDesign to enter colour values e.g. in CMYK with decimal places and to write them into the PDF during PDF export, but only integer values were displayed.

In Adobe InDesign 2019, three decimal places can now be entered for LAB and CMYK and can also be read out again. However, these values are not adopted in the automatic labelling of the colour fields, although this can always be adjusted manually.

In Adobe InDesign 2019 können jetzt bei CMYK und LAB Werte mit bis zu 3 Nachkommastellen eingegeben werden.
In Adobe InDesign 2019, values with up to 3 decimal places can now be entered for CMYK and LAB.

Also in Adobe Illustrator 2019 CMYK inputs with decimal places are now possible, although only two decimal places are possible here. With LAB, only an integer entry is still possible.

Adobe Illustrator 2019 Farbwähler CMYK Eingabe mit zwei Nachkommastellen
Adobe Illustrator 2019 Color Picker CMYK Input with two decimal places
Adobe Illustrator 2019 Farbwähler LAB Eingabe nur ohne Nachkommastellen möglich
Adobe Illustrator 2019 Color Picker LAB Input only possible without decimal places

Only Adobe Photoshop still does not allow any decimal places, but only whole numbers, it does not matter whether the file is in 8Bit or 16Bit. This applies equally to LAB, RGB, CMYK and grayscale: In none of the colour systems is a specification with decimal places allowed.

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freieFarbe e.V. – Review of the General Meeting and Preview

On the last weekend in September the general meeting of the association freieFarbe e.V. took place in Tübingen. From Friday to Sunday, the members worked, discussed, conceived and, as you can see on the picture, ” punted” in and with new products and ideas in the best weather on the Neckar river.

freieFarbe e.V. General Meeting 2018: Punting together on the Neckar river after the general meeting at Proof GmbH in Tübingen. Photo: Peter Jäger

After a meeting with the colour management specialists from GMG on Friday, who support the association with software and proofing media, work continued on the new CIELAB HLC Colour Atlas in the afternoon, to wrap up the day with tarte flambée and wine at Matthias Betz’ house.

On Saturday, the general meeting followed at Lorettoplatz at Proof GmbH, where the past year was discussed and the coming year was touched upon. With the CIELAB HLC Colour Atlas and the DIN SPEC 16699 Open Colour Communication much was reached and accomplished, but numerous ideas need to be evaluated, weighted, financed and worked on.

Present were: From Germany Matthias Betz from Proof GmbH as this year’s host, Jan-Peter Homann from Homann Colormanagement in Berlin, Holger Everding from DTP Studio in Oldenburg and the Swiss Peter Jäger from pre2media in Hombrechtikon, Eric A. Soder from pixsource in Uster and Matteo Baschera from galledia in Zurich.

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First online printers switch to PSOCoatedV3 and PSOUncoatedV3

With DieDruckerei.de, the first well-known online printer has switched to PSOCoatedV3 and PSOUncoatedV3. A sign that almost exactly three years after the new Fogra51/52 standards appeared, they are increasingly being used in production and as a requirement for printers to produce data. The fact that also here the conversion does not run completely smoothly, shows up in the data requirements, which recognize beside the new PSOCoatedV3 also a 300% variant of the profile – a legacy from the ISOCoatedV2 300% times, PSOCoatedV3 is present only in a 300% version, a …

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Comparison between eciRGB_V2 (white) and ISOCoatedV2

Proofing with individual ICC profiles

We received a call from a new customer today: He proofs for Chinese suppliers, and up to now he is producing proofs in Japan Color 2001 Coated (JapanColor2001Coated.icc). We had not yet set up the profile in our RIP, but within a short time we were able to load the profile into our RIP, create workflows, and make the profile available for order in the shop. We will gladly integrate your individual ICC proof profiles and create proofs for you. We proof more than 50 international proof standards, but there …

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DIN SPEC 16699 Open Colour Communication

DIN SPEC 16699 “Open colour communication” shortly before publication

    Last Monday, the authors Jan-Peter Homann, Holger Everding, Eric A. Soder and Matthias Betz took another milestone in the direction of free color communication in a final meeting at the German Institute for Standardization – DIN in Berlin: The last open points of DIN SPEC 16699 “Open Colour Communication” were discussed and approved. Now only the English version by Matthias Betz and Eric A. Soder and the final implementation and approval by DIN are missing. It is expected that DIN SPEC will be available for download in August. …

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Update of the shop of Proof.de also with regard to the GDPR

In order to implement the EU General Data Protection Regulation also in the shop in conformity, we have updated the shop in the last weeks, applied security patches and implemented important innovations for the protection of your personal data. We would like to briefly introduce some important changes: Your passwords are now even more strongly encrypted in the shop If you have forgotten your password, you will no longer receive a new password via email, but can change your new password via a shop page. You will still receive an …

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DIN SPEC Business Plan “Open Colour Communication” published

Currently, our freecolour.org DIN SPEC business plan was published for 4 weeks from 19.02.2018 to 19.03.2018 on the DIN website for comment. In this DIN SPEC we will define tools and procedures for open and transparent color communication from design to finished product based on CIELAB color values, physical samples according to ISO12647-7 and spectral data in CxF3 format according to ISO 17972. DIN SPEC describes both the way to create physical samples and CxF spectral data for any CIELAB color values by the user and the basic parameters of …

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HLC Colour Atlas freieFarbe proof.de 2

CIELAB HLC Colour Atlas available in the Proof.de Shop

It has taken almost a year, but we are all the more pleased now: The “CIELAB HLC Colour Atlas” is completed and can be ordered in our shop. The HLC Colour Atlas is a open source, high-precision colour system based on open standards.

The CIELAB HLC Colour Atlas offers professional users of colour three decisive advantages:

  • The CIELAB HLC colour atlas is based on open, non-proprietary standards that are free of copyrights and trademarks.
  • The colour atlas with all components is available to all users free of charge online and can be downloaded, used and passed on directly.
    It is released under an OpenSource Creative Commons license.
  • The printed reference of the CIELAB HLC colour atlas impresses with outstanding precision and, unlike some commercial products, the colour accuracy is extremely high with a DeltaE00 median of 0.3 and an average DeltaE00 of 0.5. In most cases, the deviation from the ideal colour reference and colour differences between two colour atlases can be measured, but not perceived by the human eye. Each atlas is produced on our best Fogra-certified high-end proofing printer on Fogra-certified paper. Each copy is delivered with an individual, colourimetric test report in accordance with ISO 12647-7:2016 to document the colour accuracy of each individual colour atlas.

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Fogra 54 – PSO SC-B Paper v3 – published and available for proofing

Recently, Fogra provided the first web offset printing condition based on the new ISO 12647-2:2013 with the printing condition FOGRA54. Fogra 54 describes standardised offset printing in AM screen (48-70’cm) on supercalendered B-substance material (SC-B) with mineral oil-free printing inks. The ECI writes: “Mainly due to paper differences, the printing condition on today’s SC-B paper types no longer matches the characterization data set FOGRA40 and the profile »SC paper (ECI)«. As a consequence, when printing on SC-B paper, printers face significant problems to achieve the ink solid aim values of …

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Two years after publication: Large printing companies switch to Fogra 51 and 52

It seems that by the end of 2017 the new standards PSOCoatedV3 and PSOUncoatedV3 are finally arriving on the wider printing market. At least with the printing company Thieme and – as of today – Schleunungdruck, two major operators in the market and Flyeralarm partners have switched to the new standards. After experts such as Christian Piskulla of Cleverprinting have already provocatively pointed out the failure of the new standards – “Scheitern PSOcoated_v3 und die ISO 12647-2:2013?” (Are PSOcoated_v3 and ISO 12647-2:2013 failing?), the new printing standards seem to be …

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Proof GmbH is a partner of FreieFarbe e. V.

freeColor e. V. is a consortium of German and Swiss color experts who work to produce consistent color in all areas of application. Sounds reasonable? Exactly. That is the issue that is of central importance to our proofing customers. Therefore we are currently working in a project with the colleagues of FreieFarbe e. V. and are now also as Proof GmbH member and partner of FreieFarbe e. V. FreeColor relies on open standards such as LAB and HLC, which have long been integrated in computer software and want to show: …

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Proof. de offers proofs according to the latest tolerance criteria of ISO 12647-7:2016

The ISO 12647-7 proofing standard was revised in November 2016 and the test criteria for FograCert contract proof creation were adapted. We have now incorporated these changed criteria into our proofing system and are now working to the stricter tolerances of the latest ISO 12647-7:2016.

Why hardly anything changes for our Proof customers

The good news is: you won’t notice that our proofs are now precisely produced according to the latest standards. Why? Quite simply: Because our demands on our proofing system, our FIERY proofing software, our EFI proofing papers and the X-Rite measuring decvices are already so high that all components of our proofing system – and of course our proofs themselves – have been meeting the new criteria of the revised November 2016 standard for years.

The most important new features of the new Proof Norm in brief

1. colour accuracy

The new standard brings the classical formula for the colour distance Delta-E from the traditional definition of 1976 (CIELAB 1976) to the updated version of 2000 (CIEDE2000). Since the values cannot be converted directly, new tolerances for the test report are introduced, which are valid immediately. These new tolerances and new criteria are also the only difference that you will notice on our proof when you take a closer look at it.

Why this change: Fogra used measurements from the 116 Contract Proof Certifications from 2016 to show that the old and new tolerances of the old? These colors have so far had a? E-value that is too high in relation to the visual assessment. The new Delta-E values, on the other hand, are much more “equidistant”, i. e. with the human assessment of the colour distance, which Fogra has also demonstrated in tests.

The deviations of the gray axis and hue are now also determined more precisely, the evaluation of the hue spacing? You can also see this on the test report. The Fogra writes:”Since HC mainly depends on the hue angle, the evaluation of neutral grey or similar colours with sometimes very large differences in brightness and saturation did not yield meaningful results. The measure?Ch now describes the actual distance of a color pair in the CIEa*b* plane and is therefore no longer suitable only for the evaluation of the colorfulness difference of very rich colors.

2. durability of proofing papers

The ageing tests for proof papers were clarified more clearly with the introduction of the new standard. All certified proof papers undergo the following tests:

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Comparison of PANTONE U colours to Contract Proof

Colour deviations from PANTONE EXTENDED GAMUT Coated in the proof in Delta-E (∆E)

Current proofing systems can reproduce spot colours like HKS or Pantone very well. Using the Fiery XF 6.3 proofing software and the Epson SC-P9000V proof printer, we evaluated with which colour deviation in Delta-E the PANTONE Extended Gamut Coated colours can be proofed.

The colour deviations were calculated by the proofing software on the basis of the measured colour space of the proofing system of proof.de. Therefore in practice there may be deviations. However, it has been shown that almost all PANTONE colours can be simulated quite well in the large colour space of the proofing device.

The smaller the ∆E value, the smaller the colour distance from the PANTONE reference to the proofed PANTONE colour. Higher ∆E values indicate which PANTONE colours can be reproduced in the proof with greater difficulty.

PANTONE
EXTENDED GAMUT Coated

Delta-E Colour Deviation
Proof

PANTONE
EXTENDED GAMUT Coated

Delta E
Colour Deviation Proof
PANTONE 100 XGC 0.24 ∆E PANTONE 355 XGC 0.84 ∆E
PANTONE 101 XGC 0.24 ∆E PANTONE 356 XGC 0.00 ∆E
PANTONE 102 XGC 0.49 ∆E PANTONE 357 XGC 0.64 ∆E
PANTONE 103 XGC 0.64 ∆E PANTONE 358 XGC 0.27 ∆E
PANTONE 104 XGC 0.93 ∆E PANTONE 359 XGC 0.27 ∆E
PANTONE 105 XGC 0.77 ∆E PANTONE 360 XGC 0.59 ∆E
PANTONE 106 XGC 0.24 ∆E PANTONE 361 XGC 0.65 ∆E
PANTONE 107 XGC 0.50 ∆E PANTONE 362 XGC 0.35 ∆E
PANTONE 108 XGC 0.25 ∆E PANTONE 363 XGC 0.38 ∆E
PANTONE 109 XGC 0.26 ∆E PANTONE 364 XGC 0.88 ∆E
PANTONE 110 XGC 0.57 ∆E PANTONE 365 XGC 0.26 ∆E
PANTONE 111 XGC 0.98 ∆E PANTONE 366 XGC 0.27 ∆E
PANTONE 112 XGC 0.36 ∆E PANTONE 367 XGC 0.55 ∆E
PANTONE 113 XGC 0.25 ∆E PANTONE 368 XGC 0.61 ∆E
PANTONE 114 XGC 0.50 ∆E PANTONE 369 XGC 1.04 ∆E
PANTONE 115 XGC 0.50 ∆E PANTONE 370 XGC 0.00 ∆E

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PANTONE expands with 112 new colour shades in the Plus Series

PANTONE has done it again: Following the changes from 2010 to 2014, PANTONE is now expanding its Solid Coated and Solid Uncoated palette with 112 new colours. For users of the current Solid Plus Series, PANTONE is offering a fan with the new colours in Coated and Uncoated as an extension for 30 Euros. And of course PANTONE also offers updated Solid Coated and Solid Uncoated and Bridget fans … and of course an updated version of all associated libraries. The reason for the 112 new colours is not entirely …

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ISONewspaper 26v5 – WAN-IFRAnewspaper26v5 Proof Profile available

The WAN-IFRA Standard Profile for newsprint “ISOnewspaper26v4.icc” is contained in countless newspaper printing specifications around the world, almost every German newspaper is printing to this proven standard. Now the IFRA has placed a successor with the new ISO Newspaper 26v5 to the starting line, that increasingly conquers market shares. The new profile adapts the changes in ISO 12647-3: 2013, in particular with a decreased total ink coverage. The current ICC Profill called ISOnewspaper26v5.icc contains a total ink coverage of 220% and a dot gain of 26%. The name of the new profile is “WAN IFRAnewspaper26v5.icc”. The new newspaper …

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