PANTONE Color Bridge Coated Comparison 2023 and 2022 CMYK an Solid Coated colour deviations in DeltaE00

Colour deviations in 2023 PANTONE Color Bridge Guides

After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. …

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PANTONE Fächer Solid Uncoated 2023 mit Fehlern in der Farbrezeptur. Detailansicht der identischen Rezepturwerte für unterschiedlichen PANTONE Farben.

New PANTONE Formula Guides with incorrect ink formulations

Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 …

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Title Test Report Fogra Certificate Proof GmbH 2021 Fogra Contract Proof Creation 34558

Proof GmbH 2021 Certified Again by Fogra with Fogra “Spot cert”

Fogra Certificate Proof GmbH 2021 Fogra Contract Proof Creation 34558

This year we have again submitted proofs for Fogra certification. We thus prove that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also confirmed by an external body. We have therefore had proof prints certified for the seventh year in a row.

Already in 2019, we were among the first to also be certified for the representation of spot colours (“Spot-cert”), and in 2020 we also went through Spot-cert in addition. And all in all, we have been successfully certified by Fogra for the ninth time in a row. Sometimes customers ask:

“You get Fogra certified every year. Won’t that become unnecessary at some point? You know you can do it …”

Yes, that is sometimes true. Every certification means effort and costs, the prints have to be made, sheets have to be filled in, everything has to be sent to Munich and invoices have to be transferred. And that’s just so that we can have the same high quality confirmed as in previous years. On the other hand, this isn’t true either.

Proofing is only superficially “service by the book as always”. In real life, no two years are the same. Proofing software, for example, is not sold on the mass market, so every update brings difficulties: Important functions fail, protocols are output incorrectly, optimisations do not optimise but worsen the results…: What we haven’t had to experience! Especially here it is important to have the security of certification by Fogra that even with the latest software revision all relevant processes still run cleanly.

The same applies to the hardware, which can be just as troublesome as the software: sometimes we have a generation change of proof printers, which always involves a change of inks and colour pigments, sometimes the driver or firmware is renewed, sometimes faulty print heads have been replaced …: Here, too, there are many possible sources of error that keep us on our toes. And here, too, the certifications bring us security for daily production – our everyday business. And that, too, is often not commonplace at proof.de:

Verifiably precise …

Our so-called “everyday business” is often characterised by special cases, exceptions and special requirements. Admittedly: We like to work off Fogra39 proofs in ISOCoatedV2, where all data is delivered in CMYK. Something like that just runs really smoothly for us. But apart from these “standards”, we process much more for our customers: we produce high-precision colour samples, proof individual proof profiles for metal decor printing, process thick, high-gloss papers for proofs and extremely thin, matt papers for art projects, apply PANTONE colours to roll-ups, fine art prints in AdobeRGB on cotton canvas, ECI-RGB-V2 on Hahnemühle papers, print XYZ colour targets for multispectral cameras and …:

Our so-called “everyday business” is often characterised by special cases, exceptions and special requirements. Admittedly: We like to work off Fogra39 proofs in ISOCoatedV2, where all data is delivered in CMYK. Something like that just runs really smoothly for us. But apart from these “standards”, we process much more for our customers: we produce high-precision colour samples, proof individual proof profiles for metal decor printing, process thick, high-gloss papers for proofs and extremely thin, matt papers for art projects, apply PANTONE colours to roll-ups, fine art prints in AdobeRGB on cotton canvas, ECI-RGB-V2 on Hahnemühle papers, print XYZ colour targets for multispectral cameras and …:

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New PANTONE Find a Color home page: Now only with PANTONE Connect: Without logging in, you can no longer even access the RGB and CMYK values of PANTONE colours on the PANTONE website.

PANTONE Find a Color No Longer Available Without Registration

That was fast: Only a few days after Adobe’s announcement to remove the PANTONE colours from their latest revisions of the Adobe product range, PANTONE reacted and removed the popular tool “PANTONE Find a Color” from the internet. Instead, the login to PANTONE Connect can now be found there, a tool that provides the previous functionality partly for free and partly for a subscription price with extensions.

New PANTONE Find a Color home page: Now only with PANTONE Connect: Without logging in, you can no longer even access the RGB and CMYK values of PANTONE colours on the PANTONE website.

 

If you are looking for the usual functionality again, you at least have to register, but many additional features are only available for a hefty surcharge. The discount in the first year still sounds reasonably cheap, but when paying the full price, the PANTONE colours are only available for 6.99 €/month or almost 84 euros per year. This is a steep price for the fact that PANTONE should have a vested interest that their colours on the internet should also be used by people who do not have a PANTONE fan in their hands.

Price table of PANTONE Connect: If you need all functions, you have to dig deep into your pocket.

PANTONE Color Manager discontinued

The popular PANTONE Color Manager was also discontinued. This software was available to anyone who bought a PANTONE fan. An individual code was printed on the back of the fan, with which one could download the PANTONE Manager and get it running. Once installed, you could access all current fans, colours and key colour definitions in RGB and CMYK and export all PANTONE colours as LAB, CMYK and more as ASE and ACO for Photoshop, Illustrator and InDesign. If you now call up the Color Manager website, it says: Product set.

 

But maybe that is exactly PANTONE’s new approach: We are so big, we can afford everything. Just like Adobe: nothing works without a subscription. But while Adobe has really set standards in the graphics sector, PANTONE has not necessarily stood out as the indisputable “Biggest Global Player in Colour” in recent years due to its often short-term actions.

Let’s see how the next months turn out. It is not impossible that PANTONE will have to row back. If a licence-free colour system like the free colour CIELAB HLC colour system should ever gain a foothold, then hard times are ahead for the licence-driven systems. If more companies open up to such duel-open, transparent and yet precise and predictable solutions, then PANTONE will quickly be on a difficult track. Because when it comes to colour, it is certainly difficult to regain market share once lost. Also noticeable:

PANTONE Connect rated very poorly

If you search for PANTONE Connect in Adobe’s extensions, reading the ratings will bring tears to your eyes. At the tool Ekomi, which we at Proof GmbH use for rating collection, the best rating score is only up to 4.8 out of 5 stars. And below 4 out of 5 stars, everything is rated as a disaster. And PANTONE Connect: 1.9 out of 5 stars. In other words: absolutely miserable.

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PANTONE Metallics and Premium Metallics combined in one fan

PANTONE has combined and supplemented its two metallics fans “PANTONE Metallics Coated” and “PANTONE Premium Metallics Coated” into one fan.

Proof. de offers proofs according to the latest tolerance criteria of ISO 12647-7:2016

The ISO 12647-7 proofing standard was revised in November 2016 and the test criteria for FograCert contract proof creation were adapted. We have now incorporated these changed criteria into our proofing system and are now working to the stricter tolerances of the latest ISO 12647-7:2016.

Why hardly anything changes for our Proof customers

The good news is: you won’t notice that our proofs are now precisely produced according to the latest standards. Why? Quite simply: Because our demands on our proofing system, our FIERY proofing software, our EFI proofing papers and the X-Rite measuring decvices are already so high that all components of our proofing system – and of course our proofs themselves – have been meeting the new criteria of the revised November 2016 standard for years.

The most important new features of the new Proof Norm in brief

1. colour accuracy

The new standard brings the classical formula for the colour distance Delta-E from the traditional definition of 1976 (CIELAB 1976) to the updated version of 2000 (CIEDE2000). Since the values cannot be converted directly, new tolerances for the test report are introduced, which are valid immediately. These new tolerances and new criteria are also the only difference that you will notice on our proof when you take a closer look at it.

Why this change: Fogra used measurements from the 116 Contract Proof Certifications from 2016 to show that the old and new tolerances of the old? These colors have so far had a? E-value that is too high in relation to the visual assessment. The new Delta-E values, on the other hand, are much more “equidistant”, i. e. with the human assessment of the colour distance, which Fogra has also demonstrated in tests.

The deviations of the gray axis and hue are now also determined more precisely, the evaluation of the hue spacing? You can also see this on the test report. The Fogra writes:”Since HC mainly depends on the hue angle, the evaluation of neutral grey or similar colours with sometimes very large differences in brightness and saturation did not yield meaningful results. The measure?Ch now describes the actual distance of a color pair in the CIEa*b* plane and is therefore no longer suitable only for the evaluation of the colorfulness difference of very rich colors.

2. durability of proofing papers

The ageing tests for proof papers were clarified more clearly with the introduction of the new standard. All certified proof papers undergo the following tests:

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Comparison of PANTONE U colours to Contract Proof

How accurate can PANTONE colours be reproduced in proofing?

Pantone colours can be simulated very well today. T be able in advance to see how well your Pantone colour can be reproduced, we have published tables of all Pantone inks where the colour differences of the Pantone colours can be looked up already before proofing.

Colour variations of Pantone colours in Delta-E

Colour variations of Pantone metallic colours in Delta-E

We have now even photographed some pictures that visually show how appropriate proofs on the latest Pantone subjects.

PANTONE Solid Coated Fan colors vs. Digital Proof

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Colour deviation of Pantone metallics and Pantone Premium Metallics colours in proofing in Delta-E (∆E)

Current proofing systems can print spot colours like Pantone or HKS very accurate. With Fiery XF 5.2 Proof software and the Epson 7900/9900 proof printers we evaluated, with which colour deviation PANTONE Metallics Coated and PANTONE Premium Metallics Coated colours can be reproduced in proofing.

The colour deviations were calculated based on the measured colour space of the proof system of Proof GmbH by the proofing software. Deviations should therefore be quite similar in practice. Almost all PANTONE colours can be simulated quite well in the wide colour gamut of the proofer.

The smaller the Delta-E value, the lower is the colour distance of the PANTONE reference to the proofed PANTONE colour. Higher Delta-E values ​​show, which PANTONE colours can’t be simulated accurately in the proof.

Please note: Since the proof devices does not have colours with metallic pigments, the metallic shine in the proof can not be reproduced. Only through the satin finish of our proofing paper a somewhat shiny effect is produced, which replaces partly the metallic luster of true PANTONE colours. Although the colour is well rendered, the metallic effect in the proof does not exist. The proof can therefore always be used only as a guide, but not as binding simulation of the final result.

PANTONE Metallics
Coated
Delta-E Deviation
Proof
PANTONE
Premium Metallics Coated
Delta E
Deviation
Proof
PANTONE 871 C 0,71 ∆E PANTONE 10101 C 1,49 ∆E
PANTONE 872 C 0,72 ∆E PANTONE 10102 C 1,77 ∆E
PANTONE 873 C 1,03 ∆E PANTONE 10103 C 1,00 ∆E
PANTONE 874 C 1,26 ∆E PANTONE 10104 C 1,42 ∆E
PANTONE 875 C 0,97 ∆E PANTONE 10105 C 1,42 ∆E
PANTONE 876 C 0,86 ∆E PANTONE Silver C 1,65 ∆E
PANTONE 877 C 1,37 ∆E PANTONE 10106 C 1,09 ∆E
PANTONE 8001 C 1,52 ∆E PANTONE 10107 C 0,97 ∆E

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The names of the 84 new PANTONE Colours 2014

The following 84 PANTONE colours were added in February 2014 to the PANTONE Matching System and are included in the current Pantone Plus PANTONE 2337 | PANTONE 2338 | PANTONE 2339 | PANTONE 2340 PANTONE 2341 | PANTONE 2342 | PANTONE 2343 | PANTONE 2344 PANTONE 2345 | PANTONE 2346 | PANTONE 2347 | PANTONE 2348 PANTONE 2349 | PANTONE 2350 | PANTONE 2351 | PANTONE 2352 PANTONE 2353 | PANTONE 2354 | PANTONE 2355 | PANTONE 2356 PANTONE 2357 | PANTONE 2358 | PANTONE 2359 | PANTONE 2360 PANTONE 2361 | PANTONE 2362 | PANTONE 2363 | PANTONE 2364 PANTONE 2366 | PANTONE 2367 | PANTONE 2368 | PANTONE 2369 …

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Screenshot Pantone Website 13.03.2014

Pantone Colour Chaos 2014: 84 new Pantone Plus colours annoy Pantone users

Pantone has added a further 84 colours to ist Pantone Plus colour palette in March 2014. The the total amount of the Pantone Plus colour now extends to 1755 colours as Pantone writes on his website. The colours were – matching the Pantone colour of the year: Radiant Orchid – expanded in the Rouge and Pink range, based on the previous base colours.

Two other changes compared to the previous 50th Anniversary PANTONE guides are visible:

  • The cover sheets have been redesigned
  • The order of colour arrangement has now changed by going to chromatic criteria and now corresponds to the chromatically correct order. The colours from 2010 and 2012 have now been logically integrated into the new colour fans.

For the CMYK guides and the Premium Metallics and Neons & pastel colour guides only the cover pages have been updated. Graphic artists and the printing industry should forthwith upgrade its Solid Coated and Solid Uncoated guides to those of 2014 or newer.

Customers are annoyed by Pantone Product Policy

Since the year 2010, there has been chaos in the PANTONE Plus colour portfolio, which is not improved by the new colour guides generation. At present, there are four parallel Pantone Plus colour guides on the market, three of them with different number of colours included in the guide, although that is hardly communicated by Pantone.

The same is true for the Pantone product partners such as Adobe: Hardly any graphic designer knows what Pantone Plus colour are integrated into Adobe the specific Version since neither Pantone nor Adobe characterize their colour guide generation different. Pantone’s statement: “Compatible with today’s digital workflows – colours can be easily updated in leading design applications” translates rather: “What Pantone colours you see in your application, is pure cuincidence – depending on the update status and your manual intervention.”

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Colour differences of Pantone Solid Coated and Pantone Solid Uncoated colours in proofing in Delta-E (∆E)

Current proofing systems can print spot colours like Pantone or HKS very accurate. With Fiery XF 5.2 Proof software and the Epson 7900/9900 proof printers we evaluated, with which colour deviation PANTONE Solid Coated and PANTONE Solid Uncoated colours can be reproduced in proofing.

The colour deviations were calculated based on the measured colour space of the proof system of Proof GmbH by the proofing software. Deviations should therefore be quite similar in practice. Almost all PANTONE colours can be simulated quite well in the wide colour gamut of the proofer.

The smaller the Delta-E value, the lower is the colour distance of the PANTONE reference to the proofed PANTONE colour. Higher Delta-E values ​​show, which PANTONE colours can’t be simulated accurately in the proof.

Pantone Colour
Solid Coated
Delta-E Deviation
Proof
  Pantone Colour
Solid Uncoated
Delta-E Deviation
Proof
PANTONE 100 C 0.89 ∆E PANTONE 100 U 1.69 ∆E
PANTONE 101 C 0.60 ∆E PANTONE 101 U 1.62 ∆E
PANTONE 102 C 1.23 ∆E PANTONE 102 U 1.40 ∆E
PANTONE 103 C 0.72 ∆E PANTONE 103 U 0.49 ∆E
PANTONE 104 C 0.48 ∆E PANTONE 104 U 0.92 ∆E
PANTONE 105 C 0.80 ∆E PANTONE 105 U 1.07 ∆E

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Pantone 50th Anniversary Guide: Two indexes

Pantone Plus vs. Pantone: Colours, fans and problems.

In 2010, one of the central innovations at Pantone was the new system for graphic designers, service providers and printers: The Pantone palette was extended by numerous colours and was given a new name: Pantone Plus

The extension by 560 colours was done in two steps:

 2010: 224 added to a total of 1341 Pantone Solid colours

In 2010, the Pantone palette was extended by 224 colours, which are named from 7548 to 7771 in the Pantone classification. All new colours could continue to be mixed with the previous 14 Pantone basic colours in the print shop.

  • PANTONE Yellow
  • PANTONE Yellow 012
  • PANTONE Orange 021
  • PANTONE Warm Red
  • PANTONE Red 032
  • PANTONE Rubine Red
  • PANTONE Rhodamine Red
  • PANTONE Purple
  • PANTONE Violet
  • PANTONE Blue 072
  • PANTONE Reflex Blue
  • PANTONE Process Blue
  • PANTONE Green
  • PANTONE Black

 2012: Another 336 more to a total of 1677 Pantone Solid colours

In 2012, the Pantone Plus palette was expanded by additional 336 colours, which in the Pantone classification are named from 2001 to 2336. In order to achieve these colours, the previous 14 Pantone base colours were extended by 4 new colours to a total of 18 base colours. The new colours borrowed from the Pantone GOE palette are:

  • PANTONE Bright Red
  • PANTONE Pink
  • PANTONE Medium Purple
  • PANTONE Dark Blue

Unfortunately, Pantone did not communicate these changes very well. A typical example can be seen in a screenshot from November 8, 2013: On the German and English Pantone pages, there are two completely different numbers for new colours; only the total number of colours on the two Pantone country pages is the same.

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Color Selector - Adobe Photoshop

Easy conversion of Pantone – HKS – CMYK – RGB with Adobe Photoshop

Farbbücher Auswahl in Adobe Photoshop CC: HKS, Pantone, CMYK und vieles mehr

More often the question arises as to what kind of Pantone colour corresponds to the HKS 43 K. Or what CMYK value? And what kind of web color in RGB?

If you own Adobe Photoshop, you can do these conversions directly there. In Photoshop CC all well-known color books are stored with values.

Let’s assume we are looking for the Pantone equivalent and the matching CMYK color of HKS 43 K.

1: Open the color palette in Adobe Photoshop and select HKS K as the book and then the color HKS 43 K. All well-known colour books are directly stored in Photoshop.

Farbauswahl von HKS 43 K im Buch HKS K in Adobe Photoshop CCThe color corresponds to a Lab value of 26/29/-79 and a CMYK value is already stored here. Simply select the book HKS K Process:

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proof.de Packaging of a Proof/ Digital proof

What’s a proof for? The most important reasons for proofing!

A proof is reassuring: The proof shows the colour result of the subsequent printing. The customer knows exactly the later result from the proof and is reassured. The printer knows that the customer knows the proof and is also reassured. A proof is fast: Ordered today, delivered tomorrow: Modern proofing service providers work quickly and produce hardly any loss of time in the design and printing process A proof is precise: All professional service providers nowadays work with proof printers that are recalibrated at short intervals. A media wedge with …

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Can spot colours be proofed?

Since many printed matter contains spot colours such as Pantone or HKS, the question often arises whether these colours can be proofed at all. The answer is “no”. Only an approximate simulation of these colors is possible. The reason: Each special ink is a specially mixed, “real” ink and therefore cannot be mixed from the 4 printing inks (cyan, magenta, yellow and black). Today, modern proofing machines have up to 12 different printing colours and, in addition to the classic primary colours, also have, for example, orange and green and …

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